Symphonies Volume 6Symphony No.32 in G major (Overture) K.318Symphony No.33 in B-flat major K.319Symphony No.34 in C major K.338Symphony No.35 in D major ('Haffner-Symphony') K.385 Wolfgang Amadeus Mozart (1756–1791) - New Edition of the Complete Works edited by the International Mozarteum Foundation Salzburg in cooperation with the Mozart cities of Augsburg Salzburg and Vienna The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At thesame time it also serves as an aid to authentic performances. The principal Series I to IX containing Mozart's actual œuvre appeared between 1956 and 1991. They are regarded as a supreme achievement of Mozart scholarship in our time; modern performances of Mozart's music are unthinkable without them. The important supplementary volumes shed fresh and illuminating light on neglected aspects of Mozart's creative work such as his activities as a teacher or as an arranger of other composer's works.

About The Aria Book 2 - SopranoBy Wolfgang Amadeus Mozart (1756-1791) edited by Charlotte Lehmann Eike Wernhard. Collection for soprano voice and piano. Urtext of the New Mozart Edition. Text language Italian/German. 96 pages. Published by Baerenreiter-Ausgaben (German import). (BA.BA5372) ISBN M006500819. With vocal melody lyrics and piano accompaniment. Classical Period. 9x12 inches. Accompanying supplement available for Volume 1 only.Contents:Durch Zartlichkeit Und Schmeicheln. K. 384 No. 8 A Major from 'Die Entfuhrung Aus Dem Serail'.Ach Ich Liebte K. 384 No. 6 Bb Major from 'Die Entfuhrung Aus Dem Serail'.Martern Aller Arten K. 384 No. 11 CMajor from 'Die Entfuhrung Aus Dem Serail'.Welcher Wechsel Herrscht In Meiner Seele K. 384 No. 10 G Minor from 'Die Entfuhrung Aus Dem Serail'.Porgi Amor K. 492 No. 11 Eb Major from 'Le Nozze Di Figaro'.E Susanna Non Vien! K. 492 No. 20 C Major from 'Le Nozze Di Figaro'.Giunse Alfin Il Momento K. 492 No. 28 F Major from 'Le Nozze Di Figaro'.In Quali Eccessi K. 527 No. 21b Eb Major from 'Don Giovanni'.Crudele! Ah No Mio Bene! K. 527 No. 23 F Major from 'Don Giovanni'.Batti Batti K. 527 No. 12 F Major from 'Don Giovanni'.Temerari-Come Scoglio Immoto Resta K. 588 No. 14 Bb Major from 'Cosi Fan Tutte'.In Uomini! In Soldati K. 588 No. 12 F Major from 'Cosi Fan Tutte'.O Zittre Nicht Mein Lieber Sohn K. 620 No. 4 Bb Major from 'Die Zauberflote'.Ach Ich Fuhl's K. 620 No. 17 G Minor from 'Die Zauberflote'.Der Holle Rache K. 620 No. 14 D Minor from 'Die Zauberflote'.

Partition pour pianoNombre de pages : 48 Niveau : 1La collection DECOUVRIR LES GRANDS COMPOSITEURS présente aux jeunes pianistes débutants les œuvres des plus célèbres compositeurs par l'intermédiaire de compositions originales et d'arrangements pour piano par H.G. Heumann. Elle propose aux jeunes pianistes et à tous ceux qui commencent le piano un voyage dans l'œuvre et la vie des compositeurs pour mieux connaître et aimer les grands artistes qui ont fait l'histoire de la musique. Ce volume est consacré à Wolfgang Amadeus Mozart (1756-1791) qui est sans nul doute l'un des plus grands génies musicaux de tous les temps. Comme Joseph Haydn, dont l'amitié avec Mozart était fondée sur l'estime, l'admiration et la complémentarité artistique, le déclarait très justement à Léopold Mozart, rencontré à Vienne: Je vous le dis, devant Dieu, en honnête homme, votre fils est le plus grand compositeur que je connaisse, en personne ou de nom il a du goût et en outre la plus grande science de la composition. Cette édition reprend en grande partie les indications d'exécution de Mozart, aussi bien pour les pièces originales que pour les arrangements. Le nombre relativement restreint de ces mentions illustre combien les compositeurs du début de l'époque classique étaient économes en conseils d'exécution. (Hans Günter Heumann).Contenu :Menuet KV 1 - Allegro KV 15a - Ah ! Vous dirai-je, maman - Marche turque (Sonate KV 331) - Sonate KV 545 - Concerto pour piano KV 467 - Concerto pour clarinette KV 622 - Symphonie n°40 KV 550 - Une Petite musique de nuit KV 525 - Sehnsucht nach dem Frühling KV 596 - Non piu andrai, farfallone amoroso (Les Noces de Figaro) - Der hölle Rach kocht in meinem Herzen (La Flûte enchantée) - Das klinget so herrlicht (La Flûte enchantée) - Ave verum corpus KV 618 - Lacrymosa (Requiem KV 626)

Wolfgang Amadeus Mozart's (1756-1791) Flute Concerto in D is an adaptation of the original Oboe Concerto in C which the composer reworked in 1778. The Concerto remains widely studied and performed on both instruments making it one of the more important Concerti in the woodwind repertoire. Concerto in D is in three movements; 1. Allegro aperto 2. Adagio non troppo and 3. Rondo: Allegretto. The first and last movements are in the tonic key whilst the second movement is in the subdominant key of G major. A Dutch flautist of the time Ferdinand de Jean commissioned Mozartfor four Flute quartets and three Flute concerti. However the composer who famously disliked the Flute only completed three quartets and one concerto. Instead of composing a second concerto Mozart rearranged his Oboe Concerto with substantial changes for it to fit with the Flute. De Jean did not approve yet the Concerto in D for Flute remains as popular to this day as the Concerto in C for Oboe.

Wolfgang Amadeus Mozart's (1756-1791) Flute Concerto in G was written by the composer in 1778. The Concerto remains widely studied and performed on the Flute making it one of the most important Concerti in the instrument's repertoire. Concerto in G is in three movements; 1. Allegro maestoso 2. Adagio ma non troppo and 3. Rondo: Tempo di Menuetto. The first and last movements are in the tonic key whilst the second movement is in the subdominant key of D major. A Dutch flautist of the time Ferdinand de Jean commissioned Mozart for four Flute quartets and three Flute concerti. However thecomposer who famously disliked the Flute only completed three quartets and two concertos. Instead of composing a second concerto Mozart rearranged his Oboe Concerto with substantial changes for it to fit with the Flute. This edition of Mozart's Concerto in G includes cadences by virtuosos Taffanel Gaubert and Bozza making for an unmissable version of the famed work.

1 G. Ph. Telemann (1681-1767): Suita No 1 (1st movement - Andante)2 G. Ph. Telemann (1681-1767): Suita No 1 (5th movement - Presto)3 G. Ph. Telemann (1681-1767): Suita No 1 (6th movement - Vivace)4 W. A. Mozart (1756-1791): Walzer (Menuett)5 G. Verdi (1813-1901): Grand March from 'Aida'6 K. Zeller (1842-1898): 'Schenkt man sich Rosen in Tirol' - from 'Vogelhändler'6 J. Ph. Rameau (1683-1764): Le Tambourin7 W. A. Mozart (1756-1791): 'Die Hochzeit des Figaro'

Wolfgang Amadeus Mozart's (1756-1791) Serenade In C Minor was written by the composer in 1782-83. The work remains widely performed by Wind Octets making it one of the most significant substantial works in the wind ensemble repertoire. David Walter's transcription of Serenade In C Minor also known as Serenade No. 12 is for Wind Quintet making the popular work even more accessible and versatile. Serenade In C Minor comprises four movements; 1) Allegro 2) Andante 3) Menuet and Trio and 4) Allegro. Thisedition of Mozart's Serenade In C Minor for Wind Quintet is essential to all ensembles looking for exciting yet traditional repertoire.

Wolfgang Amadeus Mozart's (1756-1791) Flute Concerto In G was written by the composer in 1778. The Concerto remains widely studied and performed on the Flute making it one of the most important Concerti in the instrument's repertoire. Paul Taffanel and Philippe Gaubert's composed cadenzas for the work are essential to all performers of the concerto. Concerto In G is in three movements; 1. Allegro maestoso 2. Adagio ma non troppo and 3. Rondo: Tempo di Menuetto. The first and last movements are in the tonic key whilst the second movement is in the subdominant key of D major. All threemovements contain a cadenza which initially would have been left for the performer to improvise. However cadenzas have since been written including those of Taffanel and Gaubert. Both were prominent flautists of their time and their understanding of the Flute concerto repertoire is second to none making their cadenzas well-informed and essential to performers of the concerto.

Malgré sa courte vie Mozart (1756-1791) a écrit plus de 600 uvres. Ses symphonies et ses opéras sont sans doute les plus connus du grand public. Ses nombreux concertos pour piano sont également très populaires et très souvent joués. Mozart a également écrit un concerto pour clarinette dont le deuxième mouvement est célèbre partout dans le monde. Georges Moreau en a réalisé une adaptation fidèle qui vous permet de mettre en valeur votre soliste. Son uvre existe en deux versions : la version originale (4 dièses) et une version plus facile avec seulement un bémol pour le soliste.

1 W. A. Mozart (1756-1791): 'March Of The Priests'2 F. Schubert (1797-1828): 'Ave Maria'3 C. Franck (1822-1890): 'Panis Angelicus'4 J. Clarke (1674-1707): 'Trumpet Voluntary'5 J. S. Bach (1685-1750)/Ch. Gounod: 'Ave Maria'

1 J. S. Bach (1685-1750): Air (Suita No 3)2 M. A. Charpentier (ca-1645/1650-1704): 'Te Deum'3 W. A. Mozart (1756-1791): 'Ave Verum Corpus'4 F. Mendelssohn (1809-1847): 'Wedding March'5 J. Haydn (1732-1809): Andante cantabile (Concerto in Eb)

1 J. S. Bach (1685-1750): Siciliana (Sonata in Eb BWV 1031)2 W. A. Mozart (1756-1791): Allegro Menuett (Sonata in G KV 11)3 C. Saint-Saëns (1835-1921): Introduction and Royal March Of The Lion ('Le carnaval des animaux')4 C. Saint-Saëns (1835-1921): Tortoises ('Le carnavala des animaux')

1 F. Mendelssohn (1809-1847): 'O For The Wings Of A Dove'2 F. Schubert (1797-1828): 'Ständchen'3 J. Strauss (1825-1899): Tales from 'The Vienna Woods'4 F. Schubert (1797-1828): 'Moment Musicales'5 W. A. Mozart (1756-1791): 'Concert Rondo'